In as·phyx·i·a, a new collaborative effort and experimental film by Maria Takeuchi with Frederico Phillips, dancer Shiho Tanaka transforms into an evolving, pulsating cloud of 3D data. “The performance is centered in an eloquent choreography that stresses the desire to be expressive without bounds,” its creators explain.
Using motion data and dynamic simulations, Takeuchi and Phillips re-envision Tanaka’s body as a wobbling mass of points and line segments between them. Inside an environment specially-created for the film, a single, white spotlight follows her movements, casting a shadow on the ground beneath her abstracted figure. Set to an original soundtrack also created by Takeuchi, the result is an abstraction that is at once as fluid as it is writhing and roaring with information.
In our terrestrial view of things, the speed of light seems incredibly fast. But as soon as you view it against the vast distances of the universe, it’s unfortunately very slow. This animation illustrates, in realtime, the journey of a photon of light emitted from the surface of the sun and traveling across a portion of the solar system, from a human perspective.
I’ve taken liberties with certain things like the alignment of planets and asteroids, as well as ignoring the laws of relativity concerning what a photon actually “sees” or how time is experienced at the speed of light, but overall I’ve kept the size and distances of all the objects as accurate as possible. I also decided to end the animation just past Jupiter as I wanted to keep the running length below an hour.